Season of Cambodia. Ancient Traditions and Modern Artists
The cultural festival Season of Cambodia introduces New York City to the ancient arts of a Southeast Asian kingdom and to its contemporary artists working in visual arts, dance, theater and performance art. This April and May, you can get a taste of Cambodia in more than 30 favorite cultural spots around the city, from the Metropolitan Museum of Art to Le Poisson Rouge.
The Kingdom of Cambodia is known for the greatest architectural wonder of Southeast Asia—the temples of Angkor Wat—and for one of the most horrific periods of civil war and genocide in modern times, the five-year reign of the Khmer Rouge (1974-79) during which nearly a quarter of the population perished. Nearly 90 percent of the country’s artists and intellectuals were purposefully persecuted and killed. Today, the country has less than two times the number of New York City residents and half the population is less than 25 years old.
The festival not only celebrates Cambodia’s art with exhibits and performances, but using talks and symposiums, examines the role art and culture plays in the social, economic and emotional rebuilding of a post-conflict nation. The festival’s leading artists include visual artist Sopheap Pich, composers Him Sophy and Chinary Ung, choreographer Sophiline Cheam Shapiro, Amrita Performing Arts and the Royal Ballet of Cambodia.
Traditional elements of Cambodian art include dancing deities, Buddhist tales and mythological Hindu accounts of wars and creation, and will be brought to life in venues across New York City in the form of installations, puppet theater and performances.
Season of Cambodia is an initiative of Cambodian Living Arts, an NGO based in Pehnom Penh, the capital of Cambodia. Presenting partners include museums, performing arts centers and universities of New York City.
Ten works by the contemporary Cambodian artist Sopheap Pich (b. 1971) will be on display. Drawn from U.S. public and private collections, "Cambodian Rattan: The Sculptures of Sopheap Pich" is part of the museum’s contribution to the New York-wide Season of Cambodia.
Since 1976, the New York New Music Ensemble has commissioned, performed and recorded the important and upcoming composers of our time. They have in fact been the means by which many of these have become more known and appreciated. NYNME has been recognized and supported by all the significant American foundations, including the Jerome Foundation, the Fromm Foundation at Harvard, the Mary Flagler Cary Foundation, the Mellon Foundation, the Koussevitzky Foundation, the NEA and NYSCA, ...
This two-day colloquium on April 6 and 7 brings together artists, performers, curators, arts managers, scholars and students in a series of facilitated workshops and discussions on how to make the arts central to a sustainable future in Cambodia, in the face of rapid growth and urban development.
Attending live dance performances can be habit-forming, so we recommend starting young by inviting children to the adult table. That's why The Joyce created this series -- family-oriented performances followed by a special opportunity to meet the artists.
In a new ceremony, five young Cambodians embody and synthesize contradictory ways of being in a contemporary Cambodian society of opposing currents. Tradition/experimentation, preservation/evolution, nostalgia/future-focus, spirituality/materialism, and public exhibition/private introspection collide and merge briefly in this new work by Peter Chin, created in collaboration with the Cambodian artists."Olden New Golden Blue" was commissioned by the CanAsian International Dance Festival with the generous support of the Canada Council for the Arts. The work premiered in February ...