The Whitney maintains one of the world's foremost collections of 20th-century American art. The museum mounts about 15 exhibitions a year, including single-artist and group shows, historical surveys and lifetime retrospectives. Lectures, seminars and symposia are an integral part of the museum's programming.
Recent exhibitions have included retrospectives of John Currin and Lucas Samaras, an installation of Thomas Hart Benton's The Arts of America and an investigation of perceptions of Americans in The American Effect. The Whitney Biennial is an invitational showcasing works by living American artists. Started in 1932, it has often been the object of much critical controversy and public squabbling.
Gertrude Vanderbilt Whitney established the museum in 1931 using a core group of 700 works, many of them from her own collection. The museum's earliest incarnation was in four remodeled brownstones on West 8th Street. In 1954 it moved to its second home on West 54th Street near the Museum of Modern Art. In 1966 the current facility opened. The structure, designed by Marcel Breuer and sheathed in unpolished granite, resembles a massive inverted staircase fronted by a moat-like well.
The New American Film and Video Series screens independently produced films and videos, as well as film and video installations.
Programs for Seniors
The Whitney has relationships with various senior centers throughout the city, welcoming resident seniors on field trips and sending museum educators to the centers. The museum also partners with Meals-on-Wheels to offer homebound seniors materials to accompany teleconference lectures that take place several times a year.
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Stroller Tours: Christian Marclay: Festival and Off the Wall: Thirty Performative Actions
Please check full listing for event date and times On select Fridays, Whitney Teaching Fellows—who are PhD candidates in art history—lead engaging tours of current exhibitions for new moms and dads when the museum is closed to the public.
Ongoing Works from the permanent collection explore the fragmentation of abstraction in early modernism, realism as it focuses on people and society, and the convergence of the mind and the body.
Artists Making Photographs: Smith, Raushenberg, Samaras, Ruscha, Warhol
Ongoing The ascension of photography to a high art form is the subject of this exhibition featuring works created between 1930 and 1970 by numerous artists.