Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue’s mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.
ACMA provides performance opportunities for non-professional classical musicians (soloists and groups) via monthly recitals and occasional concert events.
American Opera Projects commissions, develops and presents new opera and innovative opera projects.
Americas Society (AS) is the premier forum dedicated to education, debate and dialogue about issues in Latin America, the Caribbean and Canada. Its literature, music and visual arts programs present artists from these regions.
When the closing of Amato Opera was announced, performers and a group of former Amato board members formed Amore Opera. The fledgling company strives to develop and grow while maintaining the great principles established by Anthony Amato over 60 years ago.
Automotive High School Music is the arts program at Automotive HS K610 in Brooklyn. Students in this program can choose from a variety of arts courses, and to be involved in ensembles and productions.
This 2,894 seat, three-tiered theater opened in 1929 to present motion pictures and vaudeville entertainment. The ornately decorated, neo-Grecian venue is most famous, however, as a music hall, which has been its primary offering since the 1970s.
BAM is America's oldest performing arts center and a leading presenter of the avant-garde. Since opening in 1861, it has presented the finest in performing arts.
Chelsea Opera, a professional company presenting fully staged operas with chamber orchestra, was formed in 2004 by Lynne Hayden-Findlay and Leonarda Priore and has produced operas from among the standard rep and new works. It often performs at St. Peter's Church on 346 West 20th Street.
For more than 30 years, New York Grand Opera has been producing free, fully staged and costumed operas with full orchestra in Central Park. Over the years, more than a million people have attended these performances, many of whom may never have had a chance to see a live opera if this free opportunity did not exist.