Etel Adnan, L'Olivier, 2019. Wool tapestry, 55.1 x 78.75 inches (140 x 200 cm), Edition of 3 with 1 AP.

Free admission (all visitors, all hours)

Description

Galerie Lelong & Co., New York, presents “Seasons,” the second solo exhibition of works by Etel Adnan. The exhibition will show recent works by the artist, including wool tapestries, leporellos, and paintings. Known for her distinctive abstract landscapes conveyed in a harmonious palette, Adnan’s portrayal of forms, shapes, and gestures are explored in multiple mediums. A brilliant colorist, Adnan conceives her works as visual poems, each color carefully chosen in writing a language of her own.

The exhibition coincides with the release of her newest book, Shifting the Silence, a rumination on the process of aging. The exhibition takes its title from Adnan’s poem “Surge” (2017) which asks: “Why do seasons who regularly follow their appointed time, deny their kind of energy to us?“ The poem ends with “we deal with a permanent voyage, the becoming of that which itself had become.” Reading Adnan’s poetry, the recurring themes of nature vis-à-vis the passage of time demonstrate a contemplation of one’s journeys in physical and inner spaces. Adnan continues this mode of inquiry in her visual language, containing multitudes within each piece and making room for interpretation and exploration.

A highlight of Seasons is Planètes, her new body of paintings that depicting planets. During the pause of her activities under quarantine, Adnan reflected on the current pandemic; turning her eye for the landscape upwards as she began painting imaginary planets and satellites in vibrant skies, a completely new subject for the artist whose oeuvre spans six decades. The Planètes series is conceived in a vertical format, with a consistent circle of color appearing in varied forms. In some works, the circle occupies and fills the composition lengthwise and in others, seems to be moving off the canvas, leaving a semi-circle. An element representing an object from our daily lives—a bicycle or an apple—grounds the composition.  In the early 1960s, Adnan discovered the mediums of wool tapestry and leporello.