Free admission (all visitors, all hours)
“On the way, undone” is at once an homage and a pilgrimage: performers trace a path from the south end of the park to Leigh’s sculpture at 30th Street, carrying a metaphorical vessel that also carries them. The performers will begin in the Chelsea Market Passage at 16th Street with a four-part vocalized score. A procession then extends throughout the park, leading the audience to the Plinth, where the performance culminates. Okpokwasili performs with Mayfield Brooks, Anaïs Maviel, and Samita Sinha.
“It’s an honor to work with Okwui Okpokwasili on the occasion of our farewell to Simone Leigh’s Brick House,” said Melanie Kress, High Line Art associate curator. “Okpokwasili’s virtuosic performance On the way, undone continues an incredible ongoing dialogue between the two artists, furthering shared themes of Black women’s collective creativity, strength, and gratitude.”
The performance takes place during the final weeks of the display of Simone Leigh’s celebrated sculpture Brick House on the High Line. Brick House inaugurated the High Line Plinth program in June 2019 to wide public and critical acclaim. The sculpture is a 16-foot-tall bronze bust of a Black woman with references to West African and Southern United States architecture styles. Brick House is named for the term for a strong Black woman who stands with the strength, endurance, and integrity of a house made of bricks. On the way, undone is in dialogue with Brick House, informed by the sculpture’s visual metaphor of being sheltered and carried by the resilience of Black womanhood.
Okwui Okpokwasili is a writer, performer, and choreographer. In her multidisciplinary performances straddling theater, dance, sound, and visual arts, Okpokwasili evokes the memories of women—of adolescent sexual awakening in the inner city (Bronx Gothic, 2014), forgotten women engaged in embodied revolt in the Women’s War of 1929 and the threads of that action in the Bring Back our Girls movement (Poor People’s TV Room, 2018), and of a young girl who refuses to have her hair straightened, as it’s a direct link to the spiritual plane (Adaku’s Revolt, 2019). Her transcendent performances quake through the fissures of interior and corporeal experience, realized amid spare sets designed by her husband and collaborator Peter Born.
Check-in for On the way, undone will be at ground level at 14th Street and 10th Avenue, underneath the High Line. The performance will begin in the Chelsea Market Passage at 16th Street, followed by a procession north. The audience is encouraged to follow the performance, while maintaining 6-foot distance between individuals or households. The audience may stretch for as long as a city block in order to maintain social distance. The procession will turn east at 30th Street, culminating on the Spur at 10th Avenue. There will be seating and additional space for the audience at the Spur.
All persons with disabilities are encouraged to attend. To request additional information regarding accessibility or accommodations at a program, please contact firstname.lastname@example.org. Program venues are accessible via wheelchair, and ASL interpretation can be arranged two weeks in advance.
ABOUT THE ARTIST
Okwui Okpokwasili (b. 1972) is an Igbo-Nigerian American artist, performer, and writer based in Brooklyn, New York. Her performance work has been commissioned by the Center for the Art of Performance at UCLA with REDCAT, Los Angeles, California (2018); the 10th Annual Berlin Biennale, Berlin, Germany (2018); Jacob’s Pillow, Becket, Massachusetts (2018); Walker Art Center, Minneapolis, Minnesota (2017); and Danspace Project, New York, New York with Performance Space New York, New York (2014). She has been the recipient of two New York Dance and Performance Bessie Awards, and was a 2018 MacArthur Fellow.