Free admission (all visitors, all hours)

Description

The Public Theater announced the return of “THE LINE,” written by Jessica Blank and Erik Jensen and directed by Blank. First performed live on Zoom on July 8, 2020, the world premiere play was viewed more than 55,000 times in 18 countries during its limited streaming run last summer. Crafted from firsthand interviews with New York City medical first responders during the COVID-19 pandemic, “THE LINE” cuts through the media and political noise to reveal the lived experiences of frontline medical workers in New York and their battle to save lives in a system built to serve the bottom line. Back online by popular demand for eight weeks, this timely drama is available to watch now on-demand via The Public’s Play Now platform through Monday, June 21, 2021.
The company of THE LINE features Santino Fontana (David), Arjun Gupta (Vikram), John Ortiz (Oscar), Alison Pill (Jennifer), Nicholas Pinnock (Dwight), Jamey Sheridan (Ed), and Lorraine Toussaint (Sharon). THE LINE features original music composition by Aimee Mann and Jonathan Coulton produced by Michael Penn, and Janelle Caso served as production stage manager.

Public Play Now
 is a new digital destination where you can watch, listen, and enjoy The Public Theater’s programming, including Joe’s Pub, all in one place. Featuring a wide range of digital content, Public Play Now includes previously released audio plays like shadow/land, Romeo y JulietaShipwreck, and Richard II; exciting Joe’s Pub Concerts; Public Forum civic discussions and panels; the Public Works documentary Under the Greenwood Tree; show clips and behind-the-scenes content from our past productions; and more! Visit publictheater.org/playnow.
This season has been unlike any The Public has experienced before. The Public continues to be unable to gather in-person in theaters and is navigating immense challenges because of the global coronavirus pandemic, and in response to the long overdue reckoning around racism in the country and in the theater community, The Public has begun interrogating its practices and systems to move closer to being an inclusive, equitable, and anti-racist organization. This is a moment of uncertainty, transformation, action, and accountability. There is much work to be done, but The Public’s mission has not changed, and artists and their voices play a critical role in this moment too.