> FUNDING FOR 'NYC-ARTS' I MADE POSSIBLE BY ROSALIND P.

WALTER THE AGNES VARIS TRUST, SUPPORTING AFFORDABLE ACCESS T THE ARTS, EDUCATION AND HEALTH CARE JODY AND JOHN ARNHOLD.

ELISE JAFFE AND JEFFREY BROWN.

MILTON AND SALLY AVERY ART FOUNDATION AND ELROY AND TERRY KRUMHOLZ FOUNDATION THIS PROGRAM IS SUPPORTED IN PART BY PUBLIC FUNDS FROM TH NEW YORK CITY DEPARTMENT O CULTURAL AFFAIRS IN PARTNERSHI WITH THE CITY COUNCIL.

ADDITIONAL FUNDING PROVIDED BY MEMBERS OF 13.

'NYC-ARTS' IS MADE POSSIBLE IN PART BY FIRST REPUBLIC BANK.

FLEXIBILITY, COORDINATION, EXCELLENCE FIRST REPUBLIC BANK.

IT'S A PRIVILEGE TO SERVE YOU.

> GOOD EVENING, I'M PHILIPPE de MONTEBELLO ON LOCATION AT THE METROPOLITAN MUSEUM OF ART

AND I'M PAULA ZAHN AT THE TISCH WNET STUDIOS AT LINCOL CENTER WELCOME TO 'NYC-ARTS.'

AS ALWAYS, IT IS OUR PLEASURE TO INTRODUCE YOU TO SOME OF THE MOST TALENTED, DISTINGUISHED AND EVEN GROUNDBREAKING ARTISTS PAST AND PRESENT.

WHETHER IT'S THE WORLD OF MUSIC, DANCE, THEATER, OR THE VISUA ARTS, WE REMAIN YOUR GRAND STAGE FOR THE BEST IN ARTS AND CULTURE IN THE TRI-STATE AREA.

TONIGHT WE'LL VISIT THE AMERICAN WING GALLERIES AT TH METROPOLITAN MUSEUM OF ART THE MUSEUM'S HOLDINGS INCLUDE AN EXTENSIVE COLLECTION OF WORK B AUGUSTUS SAINT-GAUDENS THE ARTIST IMMIGRATED TO NEW YORK FROM IRELAND AS A CHILD AND BECAME ONE OF THE FINEST AMERICAN SCULPTORS AND MONUMEN BUILDERS OF THE LATE 19th AN 20th CENTURIES SAINT-GAUDENS WAS A MASTER O THE HUMAN FORM, AND HIS BRONZE STATUES REFLECTED THE PHYSICAL ATTRIBUTES AS WELL AS THE SPIRIT OF HIS SUBJECTS.

BUT FIRST, A CONVERSATION WITH A REMARKABLE ARTIST ON STAGE AND SCREEN FOR 60 YEARS CHRISTOPHER PLUMMER HAS BEEN WIDELY ACCLAIMED AS ONE OF THE FINEST CLASSICAL THEATER ACTOR OF HIS GENERATION.

AND HE IS BELOVED BY AUDIENCES AS A VETERAN STAR OF MORE THAN 100 MOVIES, RANGING FROM HIS ICONIC PERFORMANCE AS CAPTAI VON TRAPP IN 'THE SOUND OF WORK IN 'THE INSIDER,' ' BEAUTIFUL MIND' AND HI MUSIC' TO HIS ACCLAIMED RECENT 2012 OSCAR WIN FOR 'BEGINNERS.

IN THE GREAT PERFORMANCE PRESENTATION OF 'BARRYMORE,' PLUMMER REPRISES HIS 1997, TON AWARD-WINNING PERFORMANCE AS THE LEGENDARY ACTOR JOHN BARRYMORE I TALKED WITH PLUMMER ABOUT HI TOUR DE FORCE PERFORMANCE, CAPTURING THE FABLED BUT FADED STAR IN HIS TWILIGHT DAYS AS ONE OF HIS GREATEST THEATRICAL SUCCESSES WITH 'RICHARD III.

> WHAT A PRIVILEGE TO MEET YOU AND HAVE THE OPPORTUNITY TO TALK WITH YOU

I AM A FAN OF YOURS

WELL, THANK YOU, I APPRECIATE THAT THE STAGE AND THE ONSCREEN VERSION, FILM VERSION OF BARRYMORE.

THERE IS A 15-YEAR GAP BETWEEN

REALLY?

I GUESS I'D FORGOTTEN THAT

WHAT WERE SOME OF YOU CONCERNS AS YOU APPROACHED THE PROJECT?

GET ACTUALLY MORE CINEMATIC, AND YOU KNOW, DISAPPEAR OFF, AND TAKE THE STORY AWAY FROM THE STAGE AND GO BEYOND, WHICH W DID, BUT VERY BRIEFLY.

SIMPLY BECAUSE WE'D RUN OUT OF MONEY.

BUT IT WORKED THE WAY IT WAS AND IT WAS BEAUTIFULLY DONE BY ERIK CANUEL, WHO IS A FRENCH CANADIAN DIRECTOR.

KNEW EXACTLY WHEN TO LEAVE THE STAGE AND COME BACK TO IT.

I LOVED WORKING WITH HIM I WISH IT HAD BEEN LONGER.

HOW HARD IS IT TO PERFORM WITHOUT AN AUDIENCE WHEN YOU'R SUPPOSED TO BE PLAYING AN ACTO WHO'S PLAYING TO A LARGE AUDIENCE

WELL, WE DID IT, THE WHOL THING IN FRONT OF AN AUDIENCE, AND FILMED IT.

SO THAT THEY COULD USE BITS FROM THE, YOU KNOW, THE AUDIENCE.

SO I ALREADY HAD DONE THAT

OKAY.

AND NOW I GIVE A SCREEN PERFORMANCE, AND THERE'S NOBOD OUT THERE.

IT DOESN'T MATTER BECAUSE I' PLAYING FOR THE CAMERA

DID YOU HAVE TO THINK ABOUT CALIBRATING YOUR PERFORMANCE DIFFERENTLY?

NO, FOR THE MOST PART I GAV THE SAME PERFORMANCE THAT I HA DONE ON THE STAGE.

JUST AS BIG, JUST AS LARGE BUT THE INTERESTING THING ABOU THE FILM, WHEN I SAW IT, WAS THAT IT WAS MUCH MORE EMOTIONA THAN THE PLAY WAS.

IN THE PLAY, WE GOT LOTS O LAUGHS AND THERE WERE MOMENTS OF -- TOUCHING MOMENTS I HOPE BUT ON THE SCREEN, IT'S JUST S WEIRD WHAT THAT CAMERA DOES.

I MEAN, I SAW THINGS BEHIND MY EYES THAT I HAD NO IDEA WERE HAPPENING AT ALL I SAID, 'MY GOD,' AND THEY CAS A SORT OF, KIND OF, SPELL OF SOME SECRET THAT WAS LYING BEHIND IT.

SOMEONE LIKE JOHN BARRYMORE, WHERE YOU FEEL AS AN AUDIENC

HOW EXHAUSTING WAS IT TO PLAY SOMEONE UNRAVEL?

I FOUND JACK BARRYMORE AS A CHARACTER EASY, SO AFTER ALL, NEEDN'T HAVE DONE ANY RESEARCH I'VE BEEN A DRUNK SINCE I WAS YOUNG KID.

SO THAT RESEARCH WAS TAKEN CAR OF I KNOW ALL ABOUT HANGOVERS AND GETTING BOMBED I LOVED PLAYING IT BECAUSE THERE WERE SO MANY NIC LAUGHS IN IT THE AUDIENCE KEPT ME BUOYANT OF JOHN BARRYMORE, WHICH

IN YOUR AUTOBIOGRAPHY, YO TOUCHED YOU AND GRABBED YOU?

YES, WELL, I WAS 14 AND I WHAT WAS IT ABOUT HIS STORY THAT ALREADY WAS KIND OF ENTRANCED BY THE IDEA OF THE STAGE AS A CAREER THE BOOK REALLY THRILLED M BECAUSE I REALIZED IF I COULD BE THAT HANDSOME DOG, HAVE AL THESE WONDERFUL WOMEN AND GE DRUNK EVERY NIGHT AND STILL WALK ON AND BE THE BEST 'HAMLET' OF HIS LIFETIME, THEN THE PROFESSION IS FOR ME HE WAS, AND THAT'S WHAT I WANTED TO EMULATE

BARRYMORE'S PORTRAYAL O HAMLET IS OFTEN SPOKEN OF AS HIS GREATEST ACHIEVEMENT, BUT IT WAS NEVER CAPTURED ON FILM

NO, HE WAS GOING TO DO IT O FILM THEY HAD ALREADY SET IT UP SIR ALEXANDER KORDA IN ENGLAND HAD ARRANGED IT.

THEY WERE GOING TO FILM IT AND THEN HE CAME ON SET AND HE GET ANY MORE MONEY FOR IT.

PEOPLE PULLED OUT.

IT WAS TERRIBLY SAD.

WAS SO DRUNK THAT THEY COULDN'

YOU MENTION THAT YOU'VE STUDIED JOHN BARRYMORE'S LIFE.

I'M WONDERING IN THE PROCESS O PLAYING HIM, ON STAGE AND ON FILM, IF YOU'VE DISCOVERED ANYTHING ABOUT HIS ACTING.

I WATCHED SO MANY OF HI FILMS, AND I BROUGHT AS MUCH A I COULD FROM HIS FILMS TO TH STAGE TO BE PART OF ME BUT I DID FIND THAT WE WERE NO TOO FAR AWAY FROM EACH OTHER FOR INSTANCE, MY OWN PRESENCE IS NOT -- MY OWN LOOK IS NO ENTIRELY FAR INTO HIS.

AND WITH A LITTLE HELP FROM TH MAKEUP, I MANAGED TO BECOME LITTLE BIT MORE HANDSOME WHAT I PROBABLY DID LEARN, HAVING DONE IT ON THE STAGE, WAS THE FACT THAT HE WAS VERY BRAVE.

HE WAS AN EXTRAORDINARIL COURAGEOUS MAN HE WOULD NEVER ADMIT THAT HE WAS, TO HIS WEAKNESS AND HE DIDN'T INDULGE HIMSELF IN WALLOWING IN HIS MISERY.

HE THOUGHT LIFE WAS A JOKE, WONDERFUL JOKE KATHARINE HEPBURN TOLD ME TERRIFIC STORY I ASKED HER, 'IS IT TRUE THA AFTER YOU AND HE HAD PLAYED IN 'BILL OF DIVORCEMENT,' THAT YO 'I WILL NEVER ACT WITH YOU AGAIN.'' SAID, 'MR. BARRYMORE, I WILL TO WHICH BARRYMORE REPLIED NEVER WORK WITH YOU AGAIN,' OR 'MADAM, I DIDN'T THINK YOU HAD.'

OH, OUCH.

SO I ASKED HER, SENSITIVE KID, 'WAS THAT TRUE, MS. HEPBURN?

AND SHE'S, 'AH, LET ME TELL YOU, LET ME TELL YOU, THAT IS S WRONG.

AND THEN SHE TOLD ME THE STORY OF HER FIRST APPEARANCE IN 'BILL OF DIVORCEMENT.'

SHE HADN'T MET THE LEADING MAN JACK BARRYMORE HIS STAND IN CAME ON AND DID ALL THE BUSINESS WITH HER AND SH WAS SO NERVOUS AND FINALLY, GEORGE CUKOR LINE UP THE SHOT AND SAID, 'THIS IS A TAKE.'

THE REAL BARRYMORE WALKS ON.

HE DOES ALL THE BUSINESS, AND BURST INTO TEARS AND HE STOPPED I SAID, 'WHY'D YOU BURST INT TEARS?

WAS HE MARVELOUS?'

'NO, HE WAS SO BAD HE WAS SO TERRIBLE AND I WAS SO DISAPPOINTED BROKE DOWN, AND HE TURNED TO M AND HE SAID, 'I SEE THAT YOU CARE, YOUNG LADY I'LL DO THAT AGAIN.'

AND HE CAME ON AND THIS TIME SHE SAID SHE BURST INTO TEARS AL OVER AGAIN BECAUSE HE WAS SO MAGNIFICENT.

YOU KNEW JOHN BARRYMORE'S DAUGHTER DIANA, DIDN'T YOU

I KNEW HER AS A KID I USED TO -- I WAS HER GROUPIE IN MONTREAL WHEN SHE CAME UP T HER SORT OF ACT OR SHE SANG AN TOLD STORIES AND DID A LOT O THAT UNFORTUNATELY ABOUT HER FATHER LOVE WITH I DON'T KNOW SHE WAS OBSESSED BY HIM, AND I WHOM I THINK SHE WAS A LITTLE IN DON'T BLAME HER.

BUT SHE DIED I WAS WORKING FOR KAZAN AT THE TIME I TRIED TO GET HER INTO A PLAY MACLEISH'S PLAY.

IN NEW YORK, ARCHIBALD SHE LOOKED FANTASTIC SHE HAD OBVIOUSLY CUT THE BOOZE.

SHE LOOKED TERRIFIC, SHE LOOKE SEXY, SHE WAS VIBRANT AND FUN.

AND SHE SAID, 'COULD YOU SPEAK TO KAZAN ABOUT ME DOING TH NATIONAL TOUR OF SWEET BIRD OF YOUTH?

AND SO I TOOK THE IDEA TO KAZA AND KAZAN SAID, 'OH, NO, NOT ANOTHER BARRYMORE, PLEASE.

HE'D OBVIOUSLY WORKED WITH A COUPLE I SAID, 'OH, COME ON IT WOULD MEAN SO MUCH TO HER SHE'S PULLED HERSELF TOGETHER.

SHE'S FINE SHE'S OFF THE BOOZE.

SHE LOOKS GREAT.

IT WOULD MAKE HER LIFE SO HE SAID, 'OH, ALL RIGHT.'

AND TWO WEEKS LATER I SAID, 'B THE WAY, DID YOU EVER SEE DIANA?

DID SHE COME AND DO HE READING?

HE SAID, 'YEAH, SHE WAS SO DRUNK WE HAD TO CARRY HER HOME.'

WAS SHE

SHE DIED WEEKS AFTER THAT

OH.

YEAH.

SO IT IS A TRAGIC FAMILY AND JACK'S TRAGEDY WAS I THINK BROOKS ATKINSON SAID IT BEST HE SAID IKARUS FLEW TOO CLOSE TO THE SUN.

AND THAT'S PRETTY GOOD

WHAT ARE YOU HOPING THAT AN AUDIENCE WILL TAKE AWAY FWR TH FILM ADAPTATION?

I HOPE THAT THEY'RE BOT TOUCHED AND THEY LAUGH IT IS FUNNY.

AND THEY'LL BE TOUCHED BECAUSE AS I SAY, I THINK THE FILM PERFORMANCE IS MORE EMOTIONA THAN IT WAS ON THE STAGE

WELL, IT IS GOING TO BE A JOY TO SEE WHERE YOU GO NEXT THANK YOU SO UCH MANY.

WHAT A PLEASURE.

YOU, TOO.

THE PERFORMANCE OF BARRYMOORE MAKES ITS PBS DEBUT TOMORROW KNIGHT PLEASE CHECK YOUR LOCAL LISTINGS FOR AIR TIME

> HELLO, I'M RAPHAEL WELCOME TO THIS WEEK AT LINCOL CENTER YOU KNOW, THE THEATER IS OVERFLOWING WITH THE BEST OF MUSIC AND FILM FROM AROUND THE WORLD, IT IS TRULY THE INTERNATIONAL CROSS ROADS OF ARTS AND CULTURE

THIS WEEKEND, LINCOLN CENTE IS THE 16th SEASON OF AMERICAN SONGBOOK HE PLAYED CONCERT SERIES CELEBRATING THE BEST IN SINGIN AND SONG WRITING IN INTIMATE SETTINGS IT INCLUDES BLUEGRASS SINGER SARAH JARADS THE SONGS OF HENRY KRIEGER AND SINGER SONG WRITER BETH ORTON.

AND SONGS FROM THE 1920s, FROM THEATER ARTIST TAYLOR MACK FOR MORE INFORMATION, PLEASE VISIT AMERICANSONGBOOK.ORG

AND FOR MORE INFORMATION, YOU CAN VISIT LINCOLNCENTER.ORG.

WE HOPE YOU'RE ENJOYING THI WEEK'S 'NYC ARTS PROGRAM'. FIND US ONLINE AT NYC-ARTS.ORG NEXT, WE VISIT THE AMERICAN WING GAL REES OF THE MET RO POLL TA MUSEUM OF ART.

THE MUSEUM HOLDINGS INCLUDE AN EXTENSIVE WORK BY AUGUSTUS SAINT ARMS ONE OF AMERICA'S FINEST MONOYUMT MAKERS

I'M SARAH TOLLS I'M CURATOR AT THE METROPOLITA MUSEUM OF ART.

WE'RE STANDING IN THE NE AMERICAN WING GAL REE.

26 NEW SPACES DEVOTED TO ART FROM THE 18th CENTURY THROUG THE EARLY 19th CENTURY I'M HERE TODAY TO TALK ABOUT AUGUSTUS ST. GODHEM.

THE METROPOLITAN HAS 50 WORKS.

WE'RE VERY FORTUNATE TO BE ABL TO PRENT HIS WORK IN SUCH COMPREHENSIVE WAY FROM EARLY CAMEO PORTRAITS TO LOW HFL RELIEF POR TRATS TO HIS FRIEND AND FELLOW ARTISTS TO REDUCTIONS AFTER HIS GREAT CIVIL WAR.

HE WAS BORN IN IRELAND BUT CAM HERE TO NEW YORK AS AN INFAN AND WAS RAISED ON THE LOWER EAST SIDE HE BEGAN, AT AGE 13, WORKING A AN APPRENTICE FOR A CAMEO CUTTER AND THAT REALLY FUELLED HI INTERESTS IN BECOMING SCULPTOR IN 1867, HE WENT ABROAD TO STUDY AND TRAINED AT THE FOREMOS TRAINING GROUND FOR STUDENTS ACROSS THE WORLD AT THAT TIME.

ST.GODHEM ALSO STUDIED IN ROME HE CAME BACK TO NEW YORK AND ESTABLISHED A CAREER AS SCULPTOR OF GREAT CIVIL WA MONOYUMTS.

SOME OF THE BEST-NOEN WORKS IN NEW YORK ARE THE FARRAGE MONUMENT IN MADISON SQUARE PAR AND THE GREAT GUILDING EQUESTRIAN STATUE OF GENERAL SHERMAN AT 59th STREET AND 5th AVENUE

> IN 1892, AFTER SHERMAN DIED, ST.GODHEM RECEIVED A COMMISSIO FOR HIS CONTRIBUTIONS TO THE UNION CAUSE.

ST. GODHEM INCORPORATED AS REA IGSIC FIGURE WHILE JENL SHERMAN IS MARCHING ALONG ONLY HORSEBACK, THE WINNER TO VICTORY IS LEADING HIM ON SHE'S MOVING FORWARD WITH THES WIND-BLOWN DRAPERIES SHE HOLDS THE PALM FRONT IN HE HAND, WHICH IS THE SYMBOL OF VICTORY.

AND SHE IS REALLY QUIT AMERICAN, IN A SENSE ST. GODHEMS WORKED WITH SEVERA DIFFERENT MODELS TO CREATE THI SCULPTURE.

GENERALLY, THIS WAS AN AMALGAMATION MOST INTERESTING IS THE FACT THAT ONE OF THE MODELS WAS A WOMAN NAMED HEDDY ANDERSON WHO WAS AN AFRICAN AMERICAN WOMA FROM SOUTH CAROLINA AND ST KWENTD LI AND SAID SHE HAD A FIGURE LIKE A GODDESS.

A REAL PERFECTIONIST IN THE CASE OF THE VICTORY HE ARRANGED DRAPEIES ON FOUR DIFFERENT MODELS AND IT TOOK SOMETHING LIKE TWO WEEKS TO GE THE LOOK HE WAS AFTER.

AND WHEN HE FINISHED THE FIGURE, HE WROTE, HOORAY, IT'S THE GREATEST VICTORY ANYONE EVER MADE I'M SARAH TOLLS, CURATOR IN TH WING AT THE METROPOLITAN MUSEUM.

I HOPE THAT YOU'LL COME AN VISIT OUR GALLERY AND PA SPECIAL ATTENTION TO THE INSTALLATION OF OUR SCULPTUR COLLECTION

> NOW, FOR MORE INFORMATION, HERE'S CHRISTINE HA WITH THE N ARTS NEWS.

HI, I'M CHRISTIN HA TODAY, WE'RE VISITING TH MICHAEL ROSENFELD GALLERY IN NEW YORK CITY FOR 25 YEARS RECENTLY RELOCATED FROM BOUTIQUE SETTING TO THIS SPACIOUS NEW GAL REE IN CHELSEA.

THE GALLERY PRESENTS FIVE TIMES A YEAR SHOWCASING 20th CENTURY AMERICAN ART THE INVENTORY BOASTS A WRIED RANGING AESTHETIC AND GENERA SFR EARLY OBSTRUCTION TO AFRICAN AMERICAN FIGURATIVE TO AMERICA SURREALISM OVER THE YEARS, THEY'VE HANDLE THE WORK OF HUNDREDS OF ARTISTS, SOME WELL-KNOWN AND OTHERS TO BE DISCOVERED

THIS YEAR, WE CELEBRATE THE 50th ANNIVERSARY OF THE SIGNIN OF THE CIVIL RIGHTS ACT OF 1964.

AND KEEPING WITH THE GALLERY'S DEDICATION OF THE AFRICA AMERICAN ARTIST.

BEYOND THE SPECTRUM ABSTRACTION AND AFRICAN AMERICAN ART, 1950-1975 WITH OVER 30 PAINTINGS AND SCULPTURE, THE SHOW BRINGS TOGETHER ABSTRACT ARTISTS WH WORKED EARLY IN THE CIVIL RIGHTS ERA.

NORMAN LEWIS WAS AMONG THE FIRST TO CHALLENGE ESTABLISHED NOTIONS OF BLACK ART AND WORKS BY ARTISTS THA EMERGED LATER ON THE SHOW DISPLAYED CONTRIBUTIONS THE AFRICAN AMERICAN ARTISTS HAVE MADE TO MODERNISM THROUGH AN ECLECTIC MIX OF STYLES.

THE CHELSEA NEIGHBORHOOD IS NOW CONSIDERED BY MANY TO BE THE HEART AND SOUL OF THE ART SCENE.

ALONG WITH FINE ART IG EXHIBITIONS, THERE ARE ALWAY FILM KPIBLTS TO TAKE IN.

ON VIEW IS A THREE CHANNE IMMERSZIVE FILM BY SELF-TAUG VIGT ARTIST WHO FILMED SCENE ONLY A LOS ANGELES SOUND STARJ THE VIEWER IS SURROUNDED WIT THE BEING LOST IN A CROWD AN CON FRONTED BY UP-CLOSE AN PERSONAL INTIMACIES.

I NEVER KNEW THAT HE WAS IN THE BUSINESS

MY MARRIAGE WAS BROKEN.

I'M NOT FRIENDLY WITH ANY O MY NEIGHBORS

ACTRESS ELIZABETH BANKS PLAYS THE ICONIC RECOGNIZABLE FACING THE CROWD.

THE FILM IS ON VIEW THROUG FEBRUARY 22nd.

AT DAVID'S WARNER, ALSO O VIEW THROUGH FEBRUARY 22 RNDS, IS A MUSIC VIDEO B VANCOUVER-BASED VISUAL ARTIS STAN DOUGLAS

SHOT ON LOCATION IN NEW YOR CITY, IT IS AN HISTORICA FICTION OF A 1970s COLUMBI RECORDS RECORDING SESSION.

THIS INSPIRED IMPROVISATIO FEATURES A BAND ASSEMBLED BY COLLABORATOR JAZZ PIANIST, JASON MORAN.

HIS CENTRAL CHARACTER APPEARS ON STAGE ONLY AS HIS OWN TEX PROJECTED ON-SCREEN.

THE COMPANY HAS SAID REALIT PERFORMS THE EVENING NIGHT'S PIECE, STAR DUST, AT MONTCLAIR STATE UNIVERSITY

VIOLINIST GILL MOTHER BEGANSTERN IS THE CURATOR OF CHAMBER MUSIC CONCERTS THROUGH A REFLECTION SERIES.

IT'S NOW IN ITS 6 THD SEASON O A NEW HOME ADJACENT TO CHELSEA'S HIGH LINE.

ON THURSDAY, FEBRUARY 13th, GILL WILL BE JOINED BY CELLIST OLA HOKAYOSHI.

THEY'LL INVIET THE AUDIENCE TO REDISCOVER THE MAGIC O MENDLESON.

A MONUMENTAL STAGING OF BENJAMIN BRITAIN'S EPIC BILL BUDD TO THRILL NEW YOR AUDIENCES AT THE BROOKLY ACADEMY OF MUSIC ♪♪

THIS IS TONY AWARD 46 AWARD WINNING OPERA.

IT WILL BE TRANSFORMED ENTIREL INTO THE LOWER QUARTER OF AN 18th CENTURY ROYAL BATTLE SHIP THE REVOOIFRL MARKS THE FIRS TIME THE FESTIVAL COMES TO NEW YORK

> FOR MORE INFORMATION O CULTURAL EVENTS IN OUR AREA, SIGN UP FOR OUR TWO FREE KWEEKLY E-MAILS.

TOP FIVE PICKS AND NYC KIDS ARTS THIS WEEK WILL KEEP YOU UP T DATE ALL YEAR AROUND FROM THE MICHAEL ROSENFELD GAL REE IN CHELSEA, I'M CHRIS TEEN HA

ON LOW KAGSZ AT THE METROPOLITAN MUSEUM OF ART

AND I'M PAULA ZAHN.

WE HOPE YOU'LL ALSO TAKE NYC ARTS WITH YOU.

OUR EASY-TO-USE FREE SMART PHONE APP GIVES YOU EVENTS AROUND TH CITY WHEN YOU MOST NEED IT THANKSENED A HAVE A GOOD NIGHT

NEXT WEEK, A PROFILE OF LIN GOLDSMITH.

MY JOB WAS TO MAKE THAT READER WHO SHELLED OUT MONEY FOR PUBLICATION OR FOR A CD FEEL CLOSER TO THAT PERSON WHO THEY REALLY LOVE ALREADY OR I'M TRYING TO MAKE THEM LOVE -- Captions by VITAC - www.vitac.co